The Resource Warhol's working class : pop art and egalitarianism, Anthony E. Grudin
Warhol's working class : pop art and egalitarianism, Anthony E. Grudin
Resource Information
The item Warhol's working class : pop art and egalitarianism, Anthony E. Grudin represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Manchester City Library.This item is available to borrow from 1 library branch.
Resource Information
The item Warhol's working class : pop art and egalitarianism, Anthony E. Grudin represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Manchester City Library.
This item is available to borrow from 1 library branch.
- Summary
- During the 1960s, as neoliberalism perpetuated the idea that fixed classes were a mirage and status an individual achievement, Warhol?s work appropriated images, techniques, and technologies that have long been described as generically ?American? or ?middle class.? Drawing on archival and theoretical research into Warhol?s contemporary cultural milieu, Grudin demonstrates that these features of Warhol?s work were in fact closely associated with the American working class. The emergent technologies which Warhol conspicuously employed to make his work?home projectors, tape recorders, film and still cameras?were advertised directly to the working class as new opportunities for cultural participation. What?s more, some of Warhol?s most iconic subjects?Campbell?s soup, Brillo pads, Coca-Cola?were similarly targeted, since working-class Americans, under threat from a variety of directions, were thought to desire the security and confidence offered by national brands
- Language
- eng
- Extent
- viii, 202 pages
- Contents
-
- Warhol and class
- Varieties of pop
- Warhol's participatory culture
- Warhol's brand images
- Warhol, modernism, egalitarianism
- Conclusion: Warhol's neoliberalism
- Isbn
- 9780226347776
- Label
- Warhol's working class : pop art and egalitarianism
- Title
- Warhol's working class
- Title remainder
- pop art and egalitarianism
- Statement of responsibility
- Anthony E. Grudin
- Language
- eng
- Summary
- During the 1960s, as neoliberalism perpetuated the idea that fixed classes were a mirage and status an individual achievement, Warhol?s work appropriated images, techniques, and technologies that have long been described as generically ?American? or ?middle class.? Drawing on archival and theoretical research into Warhol?s contemporary cultural milieu, Grudin demonstrates that these features of Warhol?s work were in fact closely associated with the American working class. The emergent technologies which Warhol conspicuously employed to make his work?home projectors, tape recorders, film and still cameras?were advertised directly to the working class as new opportunities for cultural participation. What?s more, some of Warhol?s most iconic subjects?Campbell?s soup, Brillo pads, Coca-Cola?were similarly targeted, since working-class Americans, under threat from a variety of directions, were thought to desire the security and confidence offered by national brands
- Cataloging source
- ICU/DLC
- http://library.link/vocab/creatorName
- Grudin, Anthony E
- Dewey number
- 700.92
- Index
- index present
- LC call number
- N6537.W28
- LC item number
- G78 2017
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Warhol, Andy
- Warhol, Andy
- Pop art
- Art and society
- Art and society
- Pop art
- United States
- Label
- Warhol's working class : pop art and egalitarianism, Anthony E. Grudin
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type MARC source
- rdacontent
- Contents
- Warhol and class -- Varieties of pop -- Warhol's participatory culture -- Warhol's brand images -- Warhol, modernism, egalitarianism -- Conclusion: Warhol's neoliberalism
- Dimensions
- 27 cm
- Extent
- viii, 202 pages
- Isbn
- 9780226347776
- Isbn Type
- (cloth : alk. paper)
- Lccn
- 2017015347
- Media category
- unmediated
- Media MARC source
- rdamedia
- Other physical details
- illustrations
- System control number
-
- (OCoLC)973291635
- (OCoLC)ocn973291635
- Label
- Warhol's working class : pop art and egalitarianism, Anthony E. Grudin
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type MARC source
- rdacontent
- Contents
- Warhol and class -- Varieties of pop -- Warhol's participatory culture -- Warhol's brand images -- Warhol, modernism, egalitarianism -- Conclusion: Warhol's neoliberalism
- Dimensions
- 27 cm
- Extent
- viii, 202 pages
- Isbn
- 9780226347776
- Isbn Type
- (cloth : alk. paper)
- Lccn
- 2017015347
- Media category
- unmediated
- Media MARC source
- rdamedia
- Other physical details
- illustrations
- System control number
-
- (OCoLC)973291635
- (OCoLC)ocn973291635
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.manchesterlibrary.org/portal/Warhols-working-class--pop-art-and/04mXykxvIko/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.manchesterlibrary.org/portal/Warhols-working-class--pop-art-and/04mXykxvIko/">Warhol's working class : pop art and egalitarianism, Anthony E. Grudin</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.manchesterlibrary.org/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.manchesterlibrary.org/">Manchester City Library</a></span></span></span></span></div>