The gallery of miracles and madness : insanity, modernism, and Hitler's war on art

Resource Information

The work The gallery of miracles and madness : insanity, modernism, and Hitler's war on art represents a distinct intellectual or artistic creation found in Manchester City Library. This resource is a combination of several types including: Work, Language Material, Books.

Label

The gallery of miracles and madness : insanity, modernism, and Hitler's war on art

Title remainder

insanity, modernism, and Hitler's war on art

Statement of responsibility

Charlie English

Creator

• English, Charlie

Author

• English, Charlie

Subject

• Art and mental illness -- Germany -- History -- 20th century
• Bildnerei der Geisteskranken (Prinzhorn, Hans)
• History
• History / Holocaust
• Killing of the mentally ill -- Germany -- History -- 20th century
• 1900-1999
• Prinzhorn, Hans, 1886-1933
• Prinzhorn, Hans, 1886-1933 -- Art collections
• National socialism and art
• Art -- Destruction and pillage -- Germany -- History -- 20th century

Genre

• History / Holocaust
• History

Language

eng

Summary

"This is a tragedy that begins in the halls of psychiatry and modern art and ends in the Nazis' first gas chambers. In the early 1920s, Hans Prinzhorn, a psychiatrist and aesthete, sought insight from the art of mental patients such as Franz Buhler. Buhler was a brilliant, well-known ironworker until his schizophrenia diagnosis, and his work was compared to that of Munch and Duhrer. Prinzhorn collected and published their work, inspiring the Modernist movement that was coming into fashion just as a young Adolf Hitler arrived in Vienna to begin his brief, failed career as a painter. Hitler was alienated by the Modernists and what he called their "degenerate" art that expressed the most primal human emotions. He saw it as a disease in the body politic and set out to crush it with the infamous "Degenerate Art" exhibition Goebbels and Hitler engineered in 1938, that mocked the work of mental patients and Modernists. The cultural cleansing was a precursor to the racial cleansing and Prinzhorns's patient artists would be caught up in both. Hitler developed the first gas chambers as a way to dispose of 70,273 patients, including Franz Buhler. In The Gallery of Miracles and Madness, the Nazis' cultural destruction, which would rightly be considered among the lesser sins of the Reich, puts the horror of the Holocaust into relief. The cultural decimation--the burning of books and artwork--was a stepping stone to the more overt horrors of the Holocaust. By equating artistic expression with sickness, Hitler made the case to the German people that they could not be made whole until those spreading this sickness were destroyed. Showing us the way Hitler's most profound personal insecurities fan the flames of nationalism and unfolding the transition from Weimar life to Nazi life from less familiar points of view--the ward of a psychiatric hospital, the contents of a museum--English poses profound questions about what is really at stake in cultural objects and offers us a fresh look at the brutality of the Nazi regime."--

Assigning source

Provided by publisher

Cataloging source

LBSOR/DLC

Dewey number

700.94309043

Illustrations

• illustrations
• maps
• portraits
• photographs

Index

index present

LC call number

N6868.5.N37

LC item number

E54 2021

Literary form

non fiction

Nature of contents

bibliography